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Product Description Sopranos, The: Season 6 Part 2 (BD)The clock is ticking. Time is running out. But on who?]]> .com Completing the run of one of the most acclaimed television shows in broadcast history, season 6, part II of The Sopranos will be remembered mostly not for what happened during the season, but for what didn't happen at the very end. Creator David Chase pulled off a series ending that was as controversial as it was surprising and unforgettable, leaving countless fans to look away from the show and to blogs and articles for answers to the biggest mystery since "who shot J.R.?": what happened to Tony Soprano? But before we get to that point, there are nine episodes to digest, and they are some of the best in the run of the show since season 3. As Tony's (James Gandolfini) paranoia and suspicions grow, his family makes choices that are threatening to bring big changes to his personal life, and his other "family" is crashing headlong towards an inevitable showdown with Johnny Sack (Vincent Curatola) and the New York crew. Episode 1, "Soprano Home Movies," starts off peacefully enough with Tony and Carmela (Edie Falco) enjoying a relaxing summer weekend at Bobby and Janice's (Steve Schirripa and Aida Turturro) bucolic lake house, and by the end of the episode Tony has effectively taken Bobby's soul, proving Tony's ruthlessness and ending any doubt about his will to maintain dominance over his family. In "Kennedy and Heidi," one of the season's signature episodes, Christopher's (Michael Imperioli) drug use continues to spiral out of control, forcing Tony to take matters into his own hands and resolve things with his nephew once and for all. Inevitably it's all leading up to that big finale, and it's deftly handled over the last two episodes, "The Blue Comet" and "Made in America" (an episode replete with subtle references to The Godfather). Things finally start to get resolved with Phil's crew, Dr. Melfi (Lorraine Bracco), Uncle Junior (Dominic Chianese), A.J. (Robert Iler), and Meadow (Jamie-Lynn Sigler), and as for Tony Cut to black. To quote from another hit HBO show of the same era, "everything ends," even The Sopranos, and while the way Chase chose to end The Sopranos may not be to the liking of fans hoping for a definitive resolution, give the man credit for not stooping to clichés or tired old scenarios for the sake of a closing. As A.J. says in the final scene, quoting his father, "Try to remember the times that were good." Good advice. --Daniel Vancini
L**S
This is the review
Excellent transaction!! Great product exactly as described!!! Super speedy shipping!!
D**L
Movie night!!!
Anther great watch provided by Amazon!!!
K**D
The Best Show Ever Goes Out On Top
On the first run-through of Season 6B, I thought it was really good, but a bit underwhelming at times, especially early on, but after watching the season a second and then a third time, I can safely say that The Sopranos went out on top. Was it their best season? I cannot say that, as it is hard to anything to top Season 2, which is arguably the best season of any television show ever, but Season 6B was outstanding, nonetheless. It was definitely a darker season than we were used to, but the high quality was still there, in spades.For me, one of the highlights of the season was the continuing buildup and the eventual resolution to the Tony/Christopher arc. Animosity between the two had been building for several seasons, and it finally came to head. At the end of "Stage 5," when they hugged following the baptism of Christopher's daugher, you could see it in both of their eyes...there was nothing left. Both were empty inside towards the other, and I thought, this is not going to end well. And it didn't, as we all saw in "Kennedy and Heidi." Without going into too much detail, I can honestly say that no episode of the show shocked me as much as this one, not even "Long Term Parking," which I still regard as the best 60 minutes of television ever. In fact, no matter how times I see "Kennedy and Heidi," I am still shocked and amazed at how everything transpired. The feel of the episode is unlike any other in the series, and it was at that point where you knew that there would be no redemption or salvation for Tony Soprano.Which brings me to "Made in America." What happened? We will never know for sure, thanks to the creative mind of David Chase, who left it up to us to decide what Tony Soprano's fate was. Personally, when I watched the ending live as it happened, like so many other fans, I was not happy with it. I was like, "that is it?" But after watching it again, and after taking everything into consideration, there was enough there for me to draw my own conclusion as to what Tony's fate was. Sure, David Chase could have made it nice and easy, but most fans of The Sopranos know that he was never about wrapping everything up in a nice and neat little package. Chase always liked to make his viewers think, and he ended the show by making us all think. Kudos to him for not doing the "typical" ending. He took a chance, and the finale is now one of the most talked about television shows in history, and will probably remain so for a long time.Ultimately, while I would have loved for The Sopranos to go on and on, the show went out on top. Very few shows can say that, but to me, it is only fitting that what I consider the best dramatic television show ever did in fact go out on top.
T**.
Character's hug & kiss & kill
Like the end or not, the series was terrific!
J**L
Remember the good times. Isn't that what you told me?
Even though the theme of the last nine episodes was sadness, boredom, and unfulfillment, I felt none of these things after the final credits rolled. The last nine episodes of the Sopranos are monuments to the superlative abilities of everyone involved in this groundbreaking series. The writing and acting have never been better. When Robert Iler as AJ finally puts together a good performance, you know the series is running at a high pace.For myself, the Sopranos has always been about moments that you're thinking about long after the episode ends. I've never gotten chills watching the Sopranos until the final episodes, and this season was full of chill-inducing moments. Carm asking "Is this it?" in the opening scene. Paulie's Big Pussy dream. The huge fight Tony and Carm have over her housing profits. Chris stumbling into his house and then his heartbreaking confession in "Kennedy and Heidi." Tony and the Nevada desert. Tony saving AJ from himself. Bobby talking about his son while buying a toy train. Too many heartfelt looks and hilarious lines to remember.And of course, the final episode. To those that always complain about the open-endedness with which the Sopranos is written, the final episode did a lot of bow-tying. Every character was shown, and given some closure. As for the final scene, who knows what happened? Tony existed in the story before we started watching and he and his family will exist after the series ends. Maybe Tony died in that diner. Maybe his whole family died with him. Maybe Tony died twenty years later of a heart attack after eating too many greasy onion rings. That pop culture moment attained its immortality by allowing every viewer to have their own ideas. I'd imagine the Sopranos fans that hated it were hoping the Members Only Jacket man was paid to kill Tony by the vengeful triumvarate of Furio, Ade, and the Russian, but that's just absurd. The final season is about so much more than the last minutes anyways, so enjoy it for the other 8 hours and fifty-five minutes.Lastly, I've got to mention the music. Bobby hugging his daughter at the end of the first episode to "This Magic Moment." "Evidently Chickentown" playing over the baptism of Chris's daughter. "The Valley" by Los Lobos playing at the end of the fifth episode. Journey having the honor of backing the final scene. All perfect mood-setting choices by writers at the top of their game. If the Sopranos doesn't sweep the Emmys, it'll be one of the greatest crimes in TV history.
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