---
product_id: 98840183
title: "Save the Cat!: The Last Book on Screenwriting You'll Ever Need"
price: "€ 17.95"
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reviews_count: 8
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---

# Save the Cat!: The Last Book on Screenwriting You'll Ever Need

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- **What is this?** Save the Cat!: The Last Book on Screenwriting You'll Ever Need
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## Description

Save the Cat!: The Last Book on Screenwriting You'll Ever Need - Kindle edition by Snyder, Blake. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Save the Cat!: The Last Book on Screenwriting You'll Ever Need.

Review: Recommended for anyone interested in storycrafting of any sort. - This was a very enjoyable and informative read. I've read a few books on screenwriting as part of my reading about writing in general, and the author of this book, the late Blake Snyder, is correct in his early statement that many of those other books, though excellent resources, -do- hold a reverence for film that perhaps obscures and interferes with their ability to give advice. I'm thinking of Robert McKee's 'Story,' right off the bat. Not a bad thing, and of course you'd want someone to be reverential of the medium in which they choose to work. But it's refreshing reading a more light-hearted approach that still takes the craft just as seriously. There are many who oppose what they see as the rigidity of Snyder's approach. These people are even called out in the text: 'But what about Memento?' these people ask. As in: what about movies that don't follow this structure? Being as Snyder died in 2009, I think I can answer the this criticism thusly: Christopher Nolan directed Memento in 2000. Since then, he's directed Batman movies and Inception. Wonderful, successful, creative movies, but also movies that lean more heavily on the structure outlined in this book than Memento. And I would argue that more people have seen Memento since then in a quest to watch all of this very successful director's past work than saw it before he started writing his creative scripts in a more structured way. Basically, I think people who think that learning techniques that other people working on the craft employ will ruin their 'art' aren't really as artistic as they think they are. It's something you always hear. If your 'artistry' is so fragile that it would evaporate after hearing about three act structure, maybe you're not the cinematic Picasso you fancy yourself to be. Another criticism is that Blake Snyder only had two scripts produced. Neither, admittedly, a very artsy film: 'Stop or my Mom will Shoot' and 'Blank Check.' Two things: Snyder says that family comedy is the type of movie he writes. Both of these were profitable movies in that genre and though they came out in like 1989 and 1993, lots of people have still heard of them 25 and 21 years later, so they have had a bit of lasting impact. Secondly, Snyder has had an enormous amount of scripts BOUGHT, including one from Steven Spielberg for one million dollars. I've seen criticism from people that seems to equate scripts produced to scripts bought, and say he wasn't so successful as a screenwriter that they need to listen to him. That's fairly ridiculous. What are the percentage of people who set out to be screenwriters who even get one film produced, let alone two? Not very high of a percentage. And the number of screenplays sold that get produced is equally low. So it evinces a fairly amateurish understanding of the industry to not grasp these points. And I'm saying this as someone who doesn't write screenplays, only novels and short stories. Even in my reading, I've learned as much. But that is all more defense of the utility of the book than review. There are a number of helpful terms, in addition to 'Save the Cat,' such as 'Pope in the Pool,' that are easily remembered and express important points for any writer, whether their working on screenplays or manuscripts. This book was well worth the time it took to read it and the money invested, and I'm certain I want to move on to Snyder's other two books. Recommended for anyone interested in storycrafting of any sort.
Review: A must have to learn from the greats! - If you’re wanting to write anything (eg. A book, screenplay, comic, rpg, short film) this book will help! It’s not law, but it will ask you very good questions and help you build a story using an age-old formula that has been effective for years. Immediately improved my comic series I had been working on for 5+ years. Pointed out things I had missed and by including them and changing the order of my story, it immediately improved! It’s short and an overall easy read. The chapters are broken up well, the pages are well organized, and the writing is conversational like you’re being spoken to not spoken at.

## Technical Specifications

| Specification | Value |
|---------------|-------|
| ASIN  | B00340ESIS |
| Accessibility  | Learn more |
| Best Sellers Rank | #42,243 in Kindle Store ( See Top 100 in Kindle Store ) #1 in Screenwriting (Books) #5 in Screenwriting (Kindle Store) #34 in Performing Arts (Books) |
| Customer Reviews | 4.7 4.7 out of 5 stars (8,298) |
| Enhanced typesetting  | Enabled |
| File size  | 2.5 MB |
| ISBN-10  | 9781932907001 |
| ISBN-13  | 978-1615930005 |
| Language  | English |
| Page Flip  | Enabled |
| Part of series  | Save the Cat! |
| Print length  | 215 pages |
| Publication date  | May 25, 2005 |
| Publisher  | Michael Wiese Productions |
| Screen Reader  | Supported |
| Word Wise  | Enabled |
| X-Ray  | Enabled |

## Images

![Save the Cat!: The Last Book on Screenwriting You'll Ever Need - Image 1](https://m.media-amazon.com/images/I/71TgTYFF+xL.jpg)

## Customer Reviews

### ⭐⭐⭐⭐⭐ Recommended for anyone interested in storycrafting of any sort.
*by T***D on February 4, 2014*

This was a very enjoyable and informative read. I've read a few books on screenwriting as part of my reading about writing in general, and the author of this book, the late Blake Snyder, is correct in his early statement that many of those other books, though excellent resources, -do- hold a reverence for film that perhaps obscures and interferes with their ability to give advice. I'm thinking of Robert McKee's 'Story,' right off the bat. Not a bad thing, and of course you'd want someone to be reverential of the medium in which they choose to work. But it's refreshing reading a more light-hearted approach that still takes the craft just as seriously. There are many who oppose what they see as the rigidity of Snyder's approach. These people are even called out in the text: 'But what about Memento?' these people ask. As in: what about movies that don't follow this structure? Being as Snyder died in 2009, I think I can answer the this criticism thusly: Christopher Nolan directed Memento in 2000. Since then, he's directed Batman movies and Inception. Wonderful, successful, creative movies, but also movies that lean more heavily on the structure outlined in this book than Memento. And I would argue that more people have seen Memento since then in a quest to watch all of this very successful director's past work than saw it before he started writing his creative scripts in a more structured way. Basically, I think people who think that learning techniques that other people working on the craft employ will ruin their 'art' aren't really as artistic as they think they are. It's something you always hear. If your 'artistry' is so fragile that it would evaporate after hearing about three act structure, maybe you're not the cinematic Picasso you fancy yourself to be. Another criticism is that Blake Snyder only had two scripts produced. Neither, admittedly, a very artsy film: 'Stop or my Mom will Shoot' and 'Blank Check.' Two things: Snyder says that family comedy is the type of movie he writes. Both of these were profitable movies in that genre and though they came out in like 1989 and 1993, lots of people have still heard of them 25 and 21 years later, so they have had a bit of lasting impact. Secondly, Snyder has had an enormous amount of scripts BOUGHT, including one from Steven Spielberg for one million dollars. I've seen criticism from people that seems to equate scripts produced to scripts bought, and say he wasn't so successful as a screenwriter that they need to listen to him. That's fairly ridiculous. What are the percentage of people who set out to be screenwriters who even get one film produced, let alone two? Not very high of a percentage. And the number of screenplays sold that get produced is equally low. So it evinces a fairly amateurish understanding of the industry to not grasp these points. And I'm saying this as someone who doesn't write screenplays, only novels and short stories. Even in my reading, I've learned as much. But that is all more defense of the utility of the book than review. There are a number of helpful terms, in addition to 'Save the Cat,' such as 'Pope in the Pool,' that are easily remembered and express important points for any writer, whether their working on screenplays or manuscripts. This book was well worth the time it took to read it and the money invested, and I'm certain I want to move on to Snyder's other two books. Recommended for anyone interested in storycrafting of any sort.

### ⭐⭐⭐⭐⭐ A must have to learn from the greats!
*by K***N on May 3, 2025*

If you’re wanting to write anything (eg. A book, screenplay, comic, rpg, short film) this book will help! It’s not law, but it will ask you very good questions and help you build a story using an age-old formula that has been effective for years. Immediately improved my comic series I had been working on for 5+ years. Pointed out things I had missed and by including them and changing the order of my story, it immediately improved! It’s short and an overall easy read. The chapters are broken up well, the pages are well organized, and the writing is conversational like you’re being spoken to not spoken at.

### ⭐⭐⭐⭐⭐ Filled with useful information, very helpful!
*by S***E on March 4, 2021*

I bought this book cause I've had some ideas floating around in my head that I wanted to see if I could perhaps make into a screen play. I have no formal education in screenwriting and the information I do know about writing a movie, I learned from online resources. So for a beginner like me this book was filled with TONS of useful information how I could turn a basic idea in my head into a fully fledged movie script. I was debating on which book to buy to help me get started and bought this one because every online resource I looked at, all of them mentioned this book. Some people bashed it but I think that's cause they're more advanced writers and have their own formula for coming up with the structure for a movie. What I like about this book is that it takes out the guess work for you. It lays out a structured outline for you to follow. Snyder created what he calls the Blake Synder Beat Sheet and literally every movie I could think of follows its formula. He tells you "you should introduce your main character by this page, set the theme of the movie by this page, create a conflict by this page, etc..." Snyder also uses movies as examples, showing how they followed this tempo. He has good ideas on how to create meaningful, 3 dimensional characters and even how to create a B story that helps the main story flow better. I wouldn't have thought of any of this had I not read this book. What I don't like is how Snyder is sometimes a little too "by the numbers" when it comes to writing a script. He literally says the break from act 1 to act 2 HAS to happen on page 25. Not page 24, not page 26 but on page 25. I don't agree with that. While you obviously don't want it to come too early or too soon, I don't see a need for it to happen on exactly page 25 of every single script ever written. He goes to make it sound like the big wigs at studios reading your script will toss it in the garbage if they don't find it on page 25. That's simply not true and I feel like it's forcing people to pace THEIR story at HIS speed. He also goes on to bash other great movies cause they didn't follow HIS pace. This guys claim to fame is writing Disneys "Blank Check" mind you. I don't believe in making others look bad to make yourself look good and that's kind of what he does for a bit in the book. He disses movies like Dantes Peak, Memento, Along Came Polly, etc.. but raves about other mediocre movies like 4 Christmases and miss congeniality cause they followed his cookie cutter methods. So to sum it up, I'm glad I bought this book because I did learn a lot by reading it. I definitely feel more confident in writing my script now and figuring out how to fill in the blanks when I wasn't sure in what direction the story should go in. While I don't think his "by the numbers" method is ideal for every script, it does help me know how to set my own pace for my own movie so I don't get carried away with one act of the story over the other. If your a beginner like me and are looking for a little guidance on how to create a story, this book is a great help!

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